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	<title>Johannes Ahrenfelt&#187; A-Level</title>
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		<title>Assessment for Learning made engaging and purposeful</title>
		<link>http://www.johannesahrenfelt.com/2009/08/assessment-for-learning-made-engaging-and-purposeful/</link>
		<comments>http://www.johannesahrenfelt.com/2009/08/assessment-for-learning-made-engaging-and-purposeful/#comments</comments>
		<pubDate>Thu, 27 Aug 2009 06:31:11 +0000</pubDate>
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				<category><![CDATA[Education]]></category>
		<category><![CDATA[A-Level]]></category>
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		<category><![CDATA[Assessment]]></category>
		<category><![CDATA[exam classes]]></category>
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		<description><![CDATA[Visual Assessment Using Active Learning techniques benefit students greatly as discussed in the introduction to this chapter, and creating opportunities for using this method with assessment really does produce excellent results. Students who work with assessments on this level eventually gain a concrete understanding about: •    the various components of an answer; •    how to [...]]]></description>
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<h2>
<div class="wp-caption alignleft" style="width: 217px"><img src="http://www.johannesahrenfelt.com/wp-content/images/success.jpg" alt="Make assessment concrete" width="207" height="133" /><p class="wp-caption-text">Make assessment concrete</p></div>
<p>Visual Assessment</h2>
<p>Using Active Learning techniques benefit students greatly as discussed in the introduction to this chapter, and creating opportunities for using this method with assessment really does produce excellent results. Students who work with assessments on this level eventually gain a concrete understanding about:<br />
•    the various components of an answer;<br />
•    how to build an ideal solution to a problem/question;<br />
•    how/where they &#8216;hit&#8217; each Level;<br />
•    different versions of an answer to the same question;<br />
•    exploring links/categorisations, themes and trends.</p>
<p><strong>Build the Answer</strong></p>
<p>Type up an answer in your favourite word processor and place each paragraph on a separate page with the size big enough to be able to read from a few meters away. You could also use sentences in the same way of course. You could use an ideal answer but another way of getting them to really see how they could improve we use a &#8216;C&#8217; or &#8216;D&#8217; grade. Discuss the question with the class and what they think they ought to include in an ideal answer; note ideas down on the board.</p>
<p>Split the class into groups of three and give them the (laminated) jumbled answer. Now inform them that they are to construct or piece together an answer using the available material. Students place the answer on the floor and move the various components around until they have reached a possible answer. Discuss students’ ideas and, this is crucial, ask them what they could do to improve it. Allow them a few minutes to return to their answer and give them a few sheets of paper to add details to. Finally get one group to show the rest of the class their example. Discuss.</p>
<p><strong>Activate them!</strong></p>
<p>An alternative to the example above is to involve the whole class (depending on size &#8211; max 20 works well). &#8216;Extras&#8217; can play &#8216;examiners&#8217;. Give each student a piece of the answer (about 12-15 students need to be involved here), give others possible headings or factor/theme cards (4-5 students) and another bunch &#8216;GCSE Level&#8217; or A-Level criteria cards. Get them to construct the answer together as a group. This generally creates a lot of discussion and it might be easier if the teacher leads this together with the students. When the answer has been laid down on the floor, or students are holding them up, ask the &#8216;factors/heading&#8217; students to decide which factor is discussed in which paragraph. The final step is for the last group to level the piece.<br />
It is important at this stage to ensure that the class is familiar with peer-marking and comfortable with GCSE Levels or A-Level criteria. Get them to decide as a group where each Level ought to be placed. When they have completed their marking ask them to justify their decisions and then get feedback from the rest of the class. Some students may disagree with the judgments of the marking group so allow the changes to be made if necessary.</p>
<h2>
<div class="wp-caption alignleft" style="width: 224px"><img title="challenge" src="http://www.johannesahrenfelt.com/wp-content/images/challenge.jpg" alt="Great challenges" width="214" height="173" /><p class="wp-caption-text">Great challenges</p></div>
<p>Assessment for Learning made Easy</h2>
<p><em>Students become very nervous and frightened by the mere term &#8216;assessment&#8217;. Although some students will rise to the pressure, a large number may actually under perform because it is deemed an assessment.</em><br />
- Tom, NQT<br />
This example shows how simple Assessment for Learning (AFL) techniques can make students more focused and confident about how to improve. This approach will enable the class to see concrete progress within the lesson as well as across lessons. This is a History example but can easily be modified for any subject.</p>
<p>I taught a mixed-ability year 10 class about protest through history and this particular lesson investigated the key question: What impact did [different protests]…have on law-making and law enforcement in England?1 Some of these protests included Poll tax riots and Conscientious Objecting during WWII.</p>
<p><strong>The Starter:</strong></p>
<p>The starter got students on their feet and students assessed the severity of some protests using an Active Protest continuum2. After discussing the outcome of the task we moved straight to the assessment task which involved analyzing a range of historical sources. We discussed the source material together as a class first, and then the class explored what they needed to do to answer the question successfully. Students annotate the sources in pairs after which an exemplar answer was given to them.</p>
<p><strong>Task 1: Speed AFL!</strong></p>
<p>In pairs, students faced each other and were informed to mark the exemplar answer using the criteria/mark scheme. The first one to find one of the top levels would win. We then discussed students’ responses and they highlighted where the ‘exemplar student’ had achieved a certain Level on the Interactive Whiteboard. There were some disagreements about how the answer moved up the levels.</p>
<p><strong>Task 2: Towards progress!</strong></p>
<p>The class now moved to a more challenging question and the skill had also changed. We treated this question in the same manner as the previous one and then compared the differences between the two questions. As a class we then analysed the mark scheme for Q4 and what they would need to do in order to reach high levels.</p>
<p>Students then answered question four on their own and a time limit was set. In pairs, students marked the other person’s answer using the criteria/mark scheme. Students discussed how their partner’s had reached a certain level and what they thought was particularly good about their answer as well as setting them a target for improvement. We then examined an answer, which was quickly scanned for students to see, and comments were made about the strengths and weaknesses of this particular response. Questions were taken in to mark for the next lesson.</p>
<p>At the start of the following lesson the class peer-assessed, using mark schemes, three responses from grades A-C, starting with grade C. After discussing the answers, assessments were handed back and students were asked to read teacher’s comments and try to meet their targets &#8211; examples of meeting the target were either given by the teacher or the student’s answer showed evidence so this area was highlighted.</p>
<p>This way of using assessments is simple, structured and engaging as students feel they can move forward in that lesson and beyond. When a class has experienced this process they enjoy taking assessments because they know that improvement will be concrete and real.</p>
<p>Extract from <a href="http://www.amazon.co.uk/gp/product/1441180478?ie=UTF8&amp;tag=innovativehis-21&amp;link_code=as3&amp;camp=2506&amp;creative=9298&amp;creativeASIN=1441180478" target="_blank">Exam Class Toolkit<span id="btAsinTitle"> </span></a><a>: How to Create Engaging Lesson That Ensure Progression and Results</a></p>
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		<title>The Big Idea: Make it sticky!</title>
		<link>http://www.johannesahrenfelt.com/2009/07/the-big-idea-make-it-sticky/</link>
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		<pubDate>Thu, 02 Jul 2009 05:21:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[Extract from Exam Class Toolkit - how to create engaging lessons that ensure progression and results (Watkin &#38; Ahrenfelt) Sticky = understandable, memorable and effective in changing thought or behaviour. Two big questions needs to be addressed by teachers each lesson: What&#8217;s the point of the lesson? Why should it matter &#8211; will it matter [...]]]></description>
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<p><strong>Extract from <a href="http://www.amazon.co.uk/gp/product/1441180478?ie=UTF8&amp;tag=innovativehis-21&amp;linkCode=as2&amp;camp=1634&amp;creative=6738&amp;creativeASIN=1441180478">Exam Class Toolkit</a> <a href="http://www.amazon.co.uk/gp/product/1441180478?ie=UTF8&amp;tag=innovativehis-21&amp;linkCode=as2&amp;camp=1634&amp;creative=6738&amp;creativeASIN=1441180478">- how to create engaging lessons that ensure progression and results </a></strong><a href="http://www.amazon.co.uk/gp/product/1441180478?ie=UTF8&amp;tag=innovativehis-21&amp;linkCode=as2&amp;camp=1634&amp;creative=6738&amp;creativeASIN=1441180478">(Watkin &amp; Ahrenfelt)</a><strong><a href="http://www.amazon.co.uk/gp/product/1441180478?ie=UTF8&amp;tag=innovativehis-21&amp;linkCode=as2&amp;camp=1634&amp;creative=6738&amp;creativeASIN=1441180478"><br />
</a></strong></p>
<p><strong>Sticky = </strong>understandable, memorable and effective in changing thought or behaviour.</p>
<p><em>Two big questions needs to be addressed by teachers each lesson:</em></p>
<ul>
<li><em>What&#8217;s the point of the lesson?</em></li>
<li><em>Why should it matter &#8211; will it matter to the students?</em></li>
</ul>
<p>It may seem obvious to many but it can be easy to forget when you have taught the same topic for several years. Why should they care that V. Frankl lost his manuscript on psychological well-being; that A bag of butter popcorn contains 37 grams of fat; that Einstein’s theory of relativity <em>does not mean that everything is relative</em> or that the skills of <em>communication </em>and <em>synthesis</em> are probably the most important skills they need in life? Those are fair questions. If we cannot provide a good enough explanation then what <strong>is</strong> the point?<span id="more-218"></span></p>
<p><strong> </strong></p>
<p>Some lessons seem to ‘stick’ in students memories more than others, why? If we think about it, some information, facts, ‘knowledge’ is inherently interesting, whilst some will be inherently uninteresting. The million-dollar question is of course how we can ensure that all (or at least most – let’s be realistic!) lessons stick. For example, how do we get students to care about being healthy; relate to life in Warsaw ghetto in 1943; get them to really understand the notion of a mathematical function?</p>
<p>The brothers Chip and Dan Heath have explored the idea why some messages stick and why some disappear. They argue that the main reason why people, such as teachers, fail to create effective and memorable &#8211; &#8216;sticky&#8217; &#8211; lessons is because what they call &#8216;The Curse of Knowledge&#8217;<a href="#_ftn1">[1]</a>. This refers to the notion that educators and presenters of information sometimes fail to see that abstractions, the wealth of knowledge which they have and which makes sense to them, may not make sense to the students. If you try playing the ‘<em>tappers and listeners’ </em>game<em> </em>you will quickly see how this problem could make it difficult to teach students:</p>
<p><strong>Think of a tune, say Penny Lane, then tap the song using your hands on a table to another person &#8211; the ‘listener’. They now have to guess which tune you have in your head based on the rhythm being tapped. </strong></p>
<p>If you tried this with another person you will see that they cannot guess what song you were tapping. Research at Stanford University, USA, discovered that <em>tappers</em> predicted that 50% of <em>listener</em> would be successful in guessing their tune. In fact, only 2.5% of <em>listeners</em> guessed correctly. Why did this happen? According to the Heath brothers ‘<em>the problem is that tappers have been given knowledge (the song title) that makes it impossible for them to know what it is like to lack that knowledge</em>’<a href="#_ftn2">[2]</a>, so the isolated taps that are so clear to the <em>tapper</em> make little sense to the <em>listener</em> . As teachers we are particularly good at combating this problem and we do so everyday. However, there are still aspects of this challenge, areas of our subjects, which we may find difficult to deal with so that students can conceptualise, comprehend or be able to retain what we teach them. If we are to ensure that our lessons become memorable and therefore &#8216;sticky&#8217;, according to the authors, we need to consider six simple principles:</p>
<ul>
<li>Simplicity</li>
<li>Unexpectedness</li>
<li>Concreteness</li>
<li>Credibility</li>
<li>Emotions</li>
<li>Stories</li>
</ul>
<p>Some of these may seem fairly obvious to some (maybe you?). However, it is worth examining them in detail. Let us take a look at a few examples.</p>
<p><strong>Simplicity: </strong></p>
<p>What is the core that students need to understand, the <em>golden nugget</em>, and how can you ensure they understand it? If you think about the topic ‘Titanic’ issues such as inequalities, poverty and social despair might surface. However, if you start the first in a series of lessons investigating the socio-economic problems of late Victorian period, you might see the enthusiastic spark disappear in many of the students’ faces. The core is of course social inequalities, but how will you reach the students? Titanic sank two hours and forty minutes after setting sail and 1,517 people died most of them from the working class. Why? Simple.</p>
<p><strong>Unexpectedness:</strong></p>
<p><strong> </strong></p>
<p>This one seems fairly obvious. Suppose you shock them with a terrifying story or image…that is unexpected, but that does not give them the key ingredient which they seek: insight. Instead, get the students’ interest by stimulating their curiosity through showing them there <em>is a gap in their knowledge</em> &#8211; how will it turn out? What is the answer? Using Thinking Skills mysteries in the classroom will achieve just that. There are lots of fantastic examples of how effective these can be, some of which are mentioned in this book (see p. xx-xx for an example of how they can be used in Modern Foreign Languages) and some which are published online.<a href="#_ftn3">[3]</a><strong> </strong></p>
<p><strong> </strong></p>
<p><strong>Concreteness:</strong></p>
<p>Students’ experience of education can become abstract particularly during transition phases such as the beginning of their GCSE and A-Level, or when new units of work commence. Therefore, it is crucial that we make our messages, why it matters, clear to our students. In 1992, Art Silverman came across a situation where he had to make a seemingly abstract problem concrete which the general public would understand and remember. He worked for a charity which sought to educate the public about nutrition. He had been asked to inform people about the dangers of eating traditional cinema popcorn as a medium sized bag contained 37 grams of saturated fat. Such a statement would obviously change people’s cinema habits no doubt &#8211; ‘<em>no more popcorn for me</em>! The reality was of course much different. Eating this amount of fat is clearly very bad for you but the message was not concrete enough for anyone to really understand that it was dangerous. Silverman had a light-bulb moment. The charity called a press conference in which he explained:</p>
<p><em>A medium-sized &#8216;butter&#8217; popcorn at a typical neighbourhood movie theatre contains more artery-clogging fat than a bacon and eggs breakfast, a Big Mac and fries for lunch, and a steak dinner with all the trimmings-combined!<a href="#_ftn4"><strong>[4]</strong></a></em></p>
<p><strong>Credibility:</strong></p>
<p><strong> </strong></p>
<p>Making sure that students believe what you tell them generally is not a problem. Some research has suggested, however, that students more readily trust online material before teachers.<a href="#_ftn5">[5]</a> Therefore, testing hypothesis is an important part of exam classes learning so they understand that ‘facts’ vary from source to source. If you asked students to decide which source of information is the most trust worthy which one would they choose Encyclopaedia Britannica or Wikipedia? Would they even trust information from Wikipedia? Research was carried out which compared the validity, the credibility, of Encyclopaedia Britannica (which costs to subscribe to) and Wikipedia (which is free). Interestingly, there was very little difference in the content both resources provided.<a href="#_ftn6">[6]</a> By giving them the challenge to test a problem, students are more ready to believe as they are in fact assessing its credibility and make an internal judgement about its trustworthiness.</p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong>Emotions:</strong></p>
<p><strong> </strong></p>
<p>If we had time we could customise every example we gave to ensure students relate to our messages e.g. adding their names and names of their friends to maths examples. This would of course be next to impossible. Instead we need to try to give them more general examples without losing the opportunity for them to care. As a history teacher in Britain we have to, and rightly should, teach about the Holocaust. This is one example of how one school started the unit:</p>
<p>Question 1. How many people were killed during the Holocaust during the 1940s?</p>
<p>a)      1 million</p>
<p>b)      4 million</p>
<p>c)      6 million</p>
<p>d)     19 million</p>
<p>How far do you think students were able to relate to this tragic period in history? Not far. In fact, how could they relate to the deaths of more than six million Jews at all? Here is another example:</p>
<p>Fill a page with dots (full stops size 20, bold) and you will have approx. 600 dots and photocopy it 10 ten times. Give students a small piece of paper (no more than 2&#215;2 cm) and ask them to draw one small dot for every person they know. Explain that most people probably have between 15-30 people they know incl. classmates, neighbours, family and friends, and that as a class you have about 600 people you know. If you put together everyone from school you will probably have several 1000s. Now scatter the A4 sheets across the classroom, nonchalantly, and explain that these sheets contain 6000 dots (names of people) and that in order to get the full extent of the number of people murdered you need to multiply this by 1000. Penny tends to drop after that.</p>
<p><strong>Stories:</strong></p>
<p><strong> </strong></p>
<p>&#8220;We have come to know man as he really is. After all, man is that being who invented the gas chambers of Auschwitz; however, he is also that being who entered those gas chambers upright, with the Lord&#8217;s prayer or the <em>Shema Yisrael</em> on his lips.&#8221;<a href="#_ftn7">[7]</a><strong> </strong></p>
<p>Do you remember what Frankl lost, which was mentioned at the start of this section? Maybe, possibly not. If we had told you the following story then you probably would have remembered:</p>
<p>Victor Frankl and his wife were arrested together with hundreds of other Jews in 1942, Vienna,  Austria. Unbeknown to many, Frankl had developed a new theory of psychological well-being. Both he and his wife had anticipated what would happen to them so they had sewn the manuscript of the book he was writing into the lining of his coat. Victor and his wife Tilly were later transported to Auschwitz and the manuscript was eventually found and destroyed. Frankl began re-writing his work from scratch on bits of paper and he had to endure the death of his entire family &#8211; his wife, brother, mother and father all died in the concentration camp. When the allies liberated his camp in 1946 he had completed what was to become one of the most influential books of all time according to the New York Times – A Man’s Search for Meaning.<a href="#_ftn8">[8]</a></p>
<p>We know that planning all lessons based on a series of principles may not be possible all the time. However, by considering these ideas, coupled with lashings of our own creativity, we can produce powerful, purposeful lessons which contain enriching tasks that will ensure skills and learning progression for all classes.</p>
<p><strong> </strong></p>
<hr size="1" /><a href="#_ftnref1">[1]</a> C. Heath &amp; D. Heath (2008), <a href="http://www.amazon.co.uk/gp/product/009950569X?ie=UTF8&amp;tag=innovativehis-21&amp;linkCode=xm2&amp;camp=1634&amp;creativeASIN=009950569X" target="_blank">Made to Stick</a>, Arrow Books</p>
<p><a href="#_ftnref2">[2]</a> Ibid. p. 20</p>
<p><a href="#_ftnref3">[3]</a> Please visit this website for great Thinking Skills activities: <a href="http://www.innovativeict.net/examples">http://www.innovativeict.net/examples</a></p>
<p><a href="#_ftnref4">[4]</a> C. Heath &amp; D. Heath, Sticking to it, Association Now, February 2007</p>
<p><a href="#_ftnref5">[5]</a> Haydn, T * Counsell, C <a href="http://www.amazon.co.uk/gp/product/0415263492?ie=UTF8&amp;tag=innovativehis-21&amp;linkCode=xm2&amp;camp=1634&amp;creativeASIN=0415263492" target="_blank">History and ICT</a> (Routledge)  p.</p>
<p><a href="#_ftnref6">[6]</a> See Chapter 2 p. xx – xx for a more detailed look at using online material and a further discussion on the comparison between Encyclopaedia Britannica and Wikipedia</p>
<p><a href="#_ftnref7">[7]</a> V. Frankl (2000) <a href="http://www.amazon.co.uk/gp/product/1844132390?ie=UTF8&amp;tag=innovativehis-21&amp;linkCode=xm2&amp;camp=1634&amp;creativeASIN=1844132390" target="_blank">A Man’s Search for Meaning</a>, Beacon Press</p>
<p><a href="#_ftnref8">[8]</a> M. Scully, Viktor Frankl at Ninety: An Interview, <a href="http://www.firstthings.com/">www.FirstThings.com</a> (April 1995).</p>
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		<title>IPods in the Classroom</title>
		<link>http://www.johannesahrenfelt.com/2009/03/ipods-in-the-classroom/</link>
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		<pubDate>Sat, 07 Mar 2009 12:21:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<description><![CDATA[Alex: It works because you have to really think about the topic as a whole, not only goof-around, but actually plan and consider all your key points. Because we talked about how to structure the podcast and about, like, pitfalls, we knew that we had to make it ‘visual’ and tell a story so people [...]]]></description>
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<div><strong>Alex</strong>: <em>It works because you have to really think about the topic as a whole, not only goof-around, but actually plan and consider all your key points. Because we talked about how to structure the podcast and about, like, pitfalls, we knew that we had to make it ‘visual’ and tell a story so people remembered our show</em>.</div>
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<div><strong>Harriet</strong> – <em>When we had learnt the technical bits then it was great. I thought it was difficult to speak into a mic though, because I felt a bit silly. I was concerned about what other people would think.  The best thing about recording was that we created the content and we had to think about our message as well as where out topic fitted in with the rest of the course. That was challenging.</em></div>
<div><em>- </em>Sixth Form students discussing a podcast project in March 2009.</div>
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<div>Gimmicky? Perhaps, but at the same time this is also an opportunity to encourage students to use their MP3 players for more than simply listening to music – they could be learning at the same time! Podcasting is useful and hopefully this example will show you how simple they are to set up with the help of online tools and how effective they can be to stimulate learning with exam classes.</div>
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<div>You have probably gathered that podcasting is more than simply creating an MP3 file and uploading it online; that it enables you to set a channel using RSS<a name="_ftnref1" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn1"><span><span><span style="font-size: 12pt;">[1]</span></span></span></a> to share your creations to anyone that subscribes and that they will receive all the updates automatically when they connect. Gcast.com is a free service where you focus solely on creating the content e.g. a discussion, monologue, interviews, jokes, poems and music, then Gcast.com will finalise all the technical issues for you. Another great thing about this site is that it also has a music website Garageband.com which seamlessly integrates with Gcast.com which means that you can import fantastic music into your podcast at the click of a button. The music you store on &#8216;MyPlaylist&#8217; can be accessed on both sites &#8211; simple!</div>
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<div>In a nutshell:</div>
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<ul style="margin-top: 0cm;" type="disc">
<li>register      with Gcast.com</li>
<li>register      with Garageband.com</li>
<li>upload      your creative MP3 files or record content via phone (oh yes, you can do      that, great for &#8216;Last Minute Ideas&#8217; channel!)</li>
<li>select      the order of tracks including music added from Garageband.com</li>
<li>click      create podcast</li>
</ul>
<div><strong>Case Study: making overviews engaging in the History A-Level classroom</strong></div>
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<div>This example was used with an AS class (16-17 years old) of 18 students. It is a mixed ability ranging from target grades A-D. They are used to different approaches to teaching e.g. creating movies, presentations, teaching mini-lessons and using peculiar &#8216;games&#8217; for improving communication skills<a name="_ftnref2" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn2"><span><span><span style="font-size: 12pt;">[2]</span></span></span></a>. They had just completed the first half of a History course and the intention behind creating a podcast, in fact a radio show, was to encourage students to consider what they had been taught over the past couple of months. They were divided into seven groups; the same number of key questions from the syllabus.</div>
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<div><strong>Lesson 1: Criteria and research</strong></div>
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<div>The initial lesson focused on the outcome of the podcast, namely that they were to create a radio show of max. 6 minutes long. They had to include music taken from <strong>Garageband.com</strong> as tracks can be transferred seamlessly to <strong>Gcast.com<a name="_ftnref3" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn3"><span><span><strong><span style="font-size: 12pt;">[3]</span></strong></span></span></a></strong> and, this is the best bit, they are royalty free and can be downloaded. The class then had to consider what the challenges could be when presenting potentially ‘heavy’ material on the radio and a discussion ensued about the challenges of audio versus visual material and the need to provide listeners with a mental image of what is talked about somehow and that the message had to be clear.</div>
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<div>We agreed on a number of criteria that they had to achieve to ensure a successful and purposeful podcast. Also, the students were a assigned to a ‘Mentor Group’ which would listen to the podcast and evaluate it based on the agreed criteria:</div>
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<div><strong><span style="color: white;">Criteria</span></strong></div>
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<div><strong><span style="color: white;">1: Excellent</span></strong></div>
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<div><strong><span style="color: white;">3: Room for improvement</span></strong></div>
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<div><strong><span style="color: white;">Comments</span></strong></div>
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<div>Historical relevance</div>
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<div>‘Stickiness’ (will you remember the key points)</div>
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<div>Clarity</div>
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<div>Engagement/Entertainment</div>
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<div>Whilst students commenced their initial research we created the podcast channel so that it would be quicker to finalise the work in later lessons. Gcast.com provides step-by-step instructions on how to set up a channel. Homework was also set in this lesson which was to actively listen to a range of different radio shows on various frequencies to gain a fuller understanding of some of the ‘features’ that presenters have on their shows like quizzes, call ins, interviews and so on.</div>
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<div><strong>Lesson 2: further research and planning the radio show</strong></div>
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<div>The class spend this hour finalising their research and structuring their radio shows. Students shared ideas for ‘features’ and it was agreed that three mini-featurettes were needed to create a good flow in the show.</div>
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<div><strong>Lesson 3: recording</strong></div>
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<div>The groups made use of a number of microphones/headsets and two voice recorders<a name="_ftnref4" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn4"><span><span><span style="font-size: 12pt;">[4]</span></span></span></a> to record their interviews, fake call-ins and other ‘featurettes’. After a bit of tweaking all groups were practising their lines whilst others were planning which part of a song they should use. It is important to give students a limit as to how long a piece of music can be so that the radio program does not become to long. We agreed that 45 seconds was just enough to capture the moment or set the scene.</div>
<div><strong> </strong></div>
<div><strong>Lesson 4: putting it together</strong></div>
<div><strong> </strong></div>
<div>There are different ways to piece together a podcast but most groups choose to either import all different components e.g. music, interviews, call-ins and main presenting, into Audacity<a name="_ftnref5" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn5"><span><span><span style="font-size: 12pt;">[5]</span></span></span></a> and save as a main MP3 file, but many simply uploaded their different sections into the Playlist on Gcast.com and organised the final podcast online. Either way is simple and does not require much technical understanding. Honest. It is very straight forward. After all the files had been uploaded we transferred them to the podcast channel which had been set up in lesson 1.</div>
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<div>When everything had been completed and files uploaded we listened and evaluated the programs. The class found it very exciting and (embarrassing) rewarding. Some commented that it would be easier to remember different parts of the syllabus as they could relate much of the content to examples in the radio show. Once group who had focused on Nazi Racial Policy used the story of a fictional young girl to explain life in Nazi Germany between 1920 – 1942. We followed her traumatic experiences from early segregation to the Warsaw ghetto and finally to the concentration camp.</div>
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<div><strong>Ideas for future podcasts:</strong></div>
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<div style="margin-left: 18pt; text-indent: -18pt;"><span>§<span> </span></span>Case-studies in Geography: students create radio-shows about one case study each.</div>
<div style="margin-left: 18pt; text-indent: -18pt;"><span>§<span> </span></span>Last minute revision: the teacher uploads mini-ideas (2-3 minutes max) which emphasises a key point or idea</div>
<div style="margin-left: 18pt; text-indent: -18pt;"><span>§<span> </span></span>Revise [your topic]: Fact based radio documentary with interviews and debates, similar to an ordinary radio programme</div>
<div style="margin-left: 18pt; text-indent: -18pt;"><span>§<span> </span></span>Tomorrow&#8217;s World: the class creates an entire show together about how issues in e.g. History, Geography etc will impact on the future (terrorism, global warming, fair trade and globalisation)</div>
<div style="margin-left: 18pt; text-indent: -18pt;"><span>§<span> </span></span>The Movie Vault: students analyse the relationship between book and film</div>
<div style="margin-left: 18pt; text-indent: -18pt;"><span>§<span> </span></span>How to&#8230;write the perfect essay: students share their ideas and examples of e.g. introductions, argument etc.</div>
<div style="margin-left: 18pt; text-indent: -18pt;"><span>§<span> </span></span>How to&#8230;work independently: students explain what they do to work well in groups as well as how to use write realistic targets</div>
<div style="margin-left: 18pt; text-indent: -18pt;"><span>§<span> </span></span>How to&#8230;get an A*: groups provide concrete ideas for exam and revision techniques</div>
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<div><a name="_ftn1" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref1"><span><span><span style="font-size: 10pt;">[1]</span></span></span></a> Visit our website for videos about RSS and podcasting : <a href="http://www.staffroomproject.com/?q=ipod-in-the-classroom.html">www.staffroomproject.com/?q=ipod-in-the-classroom.html</a></div>
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<div><a name="_ftn2" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref2"><span><span><span style="font-size: 10pt;">[2]</span></span></span></a> many resources can be found on the main website <a href="http://www.staffroomproject.com/?q=resources.html">www.staffroomproject.com/?q=resources.html</a> but we have also included a range of tutorials and interactive resources on our ICT website: <a href="http://www.innovativeict.net/">www.innovativeict.net</a> .</div>
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<div><a name="_ftn3" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref3"><span><span><span style="font-size: 10pt;">[3]</span></span></span></a> <a href="http://www.gcast.com/">www.gcast.com</a> and <a href="http://www.garageband.com/">www.garageband.com</a> work seamlessly together.</div>
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<div><a name="_ftn4" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref4"><span><span><span style="font-size: 10pt;">[4]</span></span></span></a> Voice Recorders are great as they can be placed on a table and it will pick up students discussions and record in digital quality, unlike simple microphones which tend to record poor audio quality. They are not expensive either, visit <a href="http://www.innovativeict.net/voicerecorders">www.innovativeict.net/voicerecorders</a> for examples of voice recorders we like to use.</div>
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<div><a name="_ftn5" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref5"><span><span><span style="font-size: 10pt;">[5]</span></span></span></a> Audacity is a free audio recording software which can compile and save audio into different formats. Go to your favourite search engine and download it today – it’s simple to use.</div>
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		<title>Make learning purposeful, memorable and powerful: part 1</title>
		<link>http://www.johannesahrenfelt.com/2009/03/make-learning-purposeful-memorable-and-powerful-part-1/</link>
		<comments>http://www.johannesahrenfelt.com/2009/03/make-learning-purposeful-memorable-and-powerful-part-1/#comments</comments>
		<pubDate>Wed, 04 Mar 2009 18:11:18 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[A-Level]]></category>
		<category><![CDATA[education]]></category>
		<category><![CDATA[exams]]></category>
		<category><![CDATA[GCSE]]></category>
		<category><![CDATA[memorable]]></category>
		<category><![CDATA[sticky ideas]]></category>
		<category><![CDATA[Teaching and Learning]]></category>

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		<description><![CDATA[&#8220;The future belongs to a very different kind of person with a very different kind of mind – creators and empathizers, pattern recognizers and meaning makers. These people – artists, inventors, designers, storytellers, caregivers, consolers, big picture thinkers – will now reap society’s richest rewards and share its greatest joys&#8221;. Daniel H. Pink[1] Teachers in [...]]]></description>
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<p><em>&#8220;The future belongs to a very different kind of person with a very different kind of mind – creators and empathizers, pattern recognizers and meaning makers. These people – artists, inventors, designers, storytellers, caregivers, consolers, big picture thinkers – will now reap society’s richest rewards and share its greatest joys&#8221;.</em></p>
<p>Daniel H. Pink<a name="_ftnref1" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn1"><span><span><span style="font-size: 12pt;">[1]</span></span></span></a></p>
<div style="line-height: 200%;"><span style="font-size: 8pt; line-height: 200%;"><a id="_anchor_1" name="_msoanchor_1" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_msocom_1"></a></span></div>
<div style="line-height: 200%;">Teachers in the UK are facing difficult challenges when it comes to assessing students’ understanding. In April 2002 a Parliamentary report revealed that the average grades achieved by A-level candidates have been rising steadily for the past 25 years.<a name="_ftnref2" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn2"><span><span><span style="font-size: 12pt;">[2]</span></span></span></a> The government and teaching institutions uphold that the enhanced grades symbolize higher levels of achievement due to improved and more experienced teaching methods, but many academics and particularly mass media claim that the change is due to grade inflation and tests and exams are getting easier.<a name="_ftnref3" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn3"><span><span><span style="font-size: 12pt;">[3]</span></span></span></a> Others argue that as schools are put under pressure to achieve good results, students are being trained to pass specific examinations, at the expense of a general understanding of their subjects.<a name="_ftnref4" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn4"><span><span><span style="font-size: 12pt;">[4]</span></span></span></a> Teachers need to find a balance between teaching to enhance students’ skills and learning, as well as raising attainment. We believe that if students are to gain more than just a grade after 11-13 years of study we must think carefully about our planning, assessing and delivery of the curriculum. The exam is one thing. What about our country’s future? How profound, the cynic amongst us would argue, but let’s consider Dylan William:</div>
<div style="line-height: 200%;"></div>
<div style="line-height: 200%;">“…<em>there is no doubt that the higher the education level you have, the more you earn during your life, the longer you live and the better quality of life. For society, there are lower criminal justice costs, by increasing the level of education, you reduce the amount of money spent on incarcerating people. It reduces the cost of healthcare because people take care of themselves better…there is no alternative but to keep on raising levels of educational achievemen</em>t.”<a name="_ftnref5" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn5"><span><span><span style="font-size: 12pt;">[5]</span></span></span></a></div>
<div>
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<div><a name="_ftn1" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref1"><span><span><span style="font-size: 10pt;">[1]</span></span></span></a> Daniel H. Pink (2008) A Whole New Mind – Why right-brainers will rule the future (New   York: Riverhead Books)</div>
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<div><a name="_ftn2" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref2"><span><span><span style="font-size: 10pt;">[2]</span></span></span></a> Parliamentary Select Committee on Education and Skills Third Report <a href="http://www.publications.parliament.uk/pa/cm200203/cmselect/cmeduski/153/15303.htm">www.publications.parliament.uk/pa/cm200203/cmselect/cmeduski/153/15303.htm</a></div>
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<div><a name="_ftn3" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref3"><span><span><span style="font-size: 12pt;">[3]</span></span></span></a> <span style="font-size: 10pt;">BBC</span><span style="font-size: 10pt;"> News Online, Thursday, 16 August, 2001, So are A-levels getting easier?</span></div>
<div><span style="font-size: 10pt;"><a href="http://news.bbc.co.uk/1/hi/education/1495184.stm">http://news.bbc.co.uk/1/hi/education/1495184.stm</a> </span></div>
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<div><a name="_ftn4" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref4"><span><span><span style="font-size: 10pt;">[4]</span></span></span></a> BBC News Online Monday, 15 August 2005 <a href="http://news.bbc.co.uk/1/hi/education/4153816.stm">http://news.bbc.co.uk/1/hi/education/4153816.stm</a></div>
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<div><a name="_ftn5" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref5"><span><span><span style="font-size: 10pt;">[5]</span></span></span></a> D. Williams cited in S. Clarke (2008) Active Learning through Formative Assessment (London: Hodder Education)</div>
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		<title>Make it &#8216;Sticky&#8217;: how to create memorable lessons</title>
		<link>http://www.johannesahrenfelt.com/2009/03/make-it-sticky-how-to-create-memorable-lessons/</link>
		<comments>http://www.johannesahrenfelt.com/2009/03/make-it-sticky-how-to-create-memorable-lessons/#comments</comments>
		<pubDate>Tue, 03 Mar 2009 20:08:39 +0000</pubDate>
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				<category><![CDATA[Teaching and Learning]]></category>
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		<description><![CDATA[Sticky = understandable, memorable and effective in changing thought or behaviour. Two big questions needs to be addressed by teachers each lesson: What&#8217;s the point of the lesson? Why should it matter &#8211; will it matter to the students? It may seem obvious to many but it can be easy to forget when you have [...]]]></description>
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<div><strong>Sticky = </strong>understandable, memorable and effective in changing thought or behaviour.</div>
<div></div>
<div><em><span style="font-style: normal;">Two big questions needs to be addressed by teachers each lesson:</span></em></div>
<ul style="margin-top: 0cm;" type="disc">
<li><em><span style="font-style: normal;">What&#8217;s the point of      the lesson?</span></em></li>
<li><em><span style="font-style: normal;">Why should it matter      &#8211; will it matter to the students?</span></em></li>
</ul>
<div>It may seem obvious to many but it can be easy to forget when you have taught the same topic for several years. Why should they care that V. Frankl lost his manuscript on psychological well-being; that A bag of butter popcorn contains 37 grams of fat; that Einstein’s theory of relativity <em>does not mean that everything is relative</em> or that the skills of <em>communication </em>and <em>synthesis</em> are probably the most important skills they need in life? Those are fair questions. If we cannot provide a good enough explanation then what <strong>is</strong> the point?</div>
<div></div>
<div><strong> </strong></div>
<div>Some lessons seem to ‘stick’ in students memories more than others, why? If we think about it, some information, facts, ‘knowledge’ is inherently interesting, whilst some will be inherently uninteresting. The million-dollar question is of course how we can ensure that all (or at least most – let’s be realistic!) lessons stick. For example, how do we get students to care about being healthy; relate to life in Warsaw ghetto in 1943; get them to really understand the notion of a mathematical function?</div>
<div></div>
<div>The brothers Chip and Dan Heath have explored the idea why some messages stick and why some disappear. They argue that the main reason why people, such as teachers, fail to create effective and memorable &#8211; &#8216;sticky&#8217; &#8211; lessons is because what they call &#8216;The Curse of Knowledge&#8217;<a name="_ftnref1" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn1"><span><span><span style="font-size: 12pt;">[1]</span></span></span></a>. This refers to the notion that educators and presenters of information sometimes fail to see that abstractions, the wealth of knowledge which they have and which makes sense to them, may not make sense to the students. If you try playing the ‘<em>tappers and listeners’ </em>gameyou will quickly see how this problem could make it difficult to teach students:</div>
<div></div>
<div><strong>Think of a tune, say </strong><strong>Penny Lane</strong><strong>, then tap the song using your hands on a table to another person &#8211; the ‘listener’. They now have to guess which tune you have in your head based on the rhythm being tapped. </strong></div>
<div><strong><br />
</strong></div>
<div>If you tried this with another person you will see that they cannot guess what song you were tapping. Research at Stanford   University, USA, discovered that <em>tappers</em> predicted that 50% of <em>listener</em> would be successful in guessing their tune. In fact, only 2.5% of <em>listeners</em> guessed correctly. Why did this happen? According to the Heath brothers ‘<em>the problem is that tappers have been given knowledge (the song title) that makes it impossible for them to know what it is like to lack that knowledge</em>’<a name="_ftnref2" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn2"><span><span><span style="font-size: 12pt;">[2]</span></span></span></a>, so the isolated taps that are so clear to the <em>tapper</em> make little sense to the <em>listener</em> . As teachers we are particularly good at combating this problem and we do so everyday. However, there are still aspects of this challenge, areas of our subjects, which we may find difficult to deal with so that students can conceptualise, comprehend or be able to retain what we teach them. If we are to ensure that our lessons become memorable and therefore &#8216;sticky&#8217;, according to the authors, we need to consider six simple principles:</div>
<ul>
<li>Simplicity</li>
<li>Unexpectedness</li>
<li>Concreteness</li>
<li>Credibility</li>
<li>Emotions</li>
<li>Stories</li>
</ul>
<div>Some of these may seem fairly obvious to some (maybe you?). However, it is worth examining them in detail. Let us take a look at a few examples.</div>
<div></div>
<div><strong>Simplicity: </strong></div>
<div><strong><br />
</strong></div>
<div>What is the core that students need to understand, the <em>golden nugget</em>, and how can you ensure they understand it? If you think about the topic ‘Titanic’ issues such as inequalities, poverty and social despair might surface. However, if you start the first in a series of lessons investigating the socio-economic problems of late Victorian period, you might see the enthusiastic spark disappear in many of the students’ faces. The core is of course social inequalities, but how will you reach the students? Titanic sank two hours and forty minutes after setting sail and 1,517 people died most of them from the working class. Why? Simple.</div>
<div></div>
<div><strong>Unexpectedness:</strong></div>
<div><strong><br />
</strong></div>
<div><strong> </strong></div>
<div>This one seems fairly obvious. Suppose you shock them with a terrifying story or image…that is unexpected, but that does not give them the key ingredient which they seek: insight. Instead, get the students’ interest by stimulating their curiosity through showing them there <em>is a gap in their knowledge</em> &#8211; how will it turn out? What is the answer? Using Thinking Skills mysteries in the classroom will achieve just that. There are lots of fantastic examples of how effective these can be, some of which are mentioned in this book (see p. xx-xx for an example of how they can be used in Modern Foreign Languages) and some which are published online.<a name="_ftnref3" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn3"><span><span><span style="font-size: 12pt;">[3]</span></span></span></a></div>
<div><span><span><span style="font-size: 12pt;"><br />
</span></span></span></div>
<div><strong> </strong></div>
<div><strong>Concreteness:</strong></div>
<div><strong><br />
</strong></div>
<div>Students’ experience of education can become abstract particularly during transition phases such as the beginning of their GCSE and A-Level, or when new units of work commence. Therefore, it is crucial that we make our messages, why it matters, clear to our students. In 1992, Art Silverman came across a situation where he had to make a seemingly abstract problem concrete which the general public would understand and remember. He worked for a charity which sought to educate the public about nutrition. He had been asked to inform people about the dangers of eating traditional cinema popcorn as a medium sized bag contained 37 grams of saturated fat. Such a statement would obviously change people’s cinema habits no doubt &#8211; ‘<em>no more popcorn for me</em>! The reality was of course much different. Eating this amount of fat is clearly very bad for you but the message was not concrete enough for anyone to really understand that it was dangerous. Silverman had a light-bulb moment. The charity called a press conference in which he explained:</div>
<div><em>A medium-sized &#8216;butter&#8217; popcorn at a typical neighbourhood movie theatre contains more artery-clogging fat than a bacon and eggs breakfast, a Big Mac and fries for lunch, and a steak dinner with all the trimmings-combined!<a name="_ftnref4" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn4"><span><span><strong><span style="font-size: 12pt;">[4]</span></strong></span></span></a></em></div>
<div><em><span><span><strong><span style="font-size: 12pt;"><br />
</span></strong></span></span></em></div>
<div><strong>Credibility:</strong></div>
<div><strong><br />
</strong></div>
<div><strong> </strong></div>
<div>Making sure that students believe what you tell them generally is not a problem. Some research has suggested, however, that students more readily trust online material before teachers.<a name="_ftnref5" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn5"><span><span><span style="font-size: 12pt;">[5]</span></span></span></a> Therefore, testing hypothesis is an important part of exam classes learning so they understand that ‘facts’ vary from source to source. If you asked students to decide which source of information is the most trust worthy which one would they choose Encyclopaedia Britannica or Wikipedia? Would they even trust information from Wikipedia? Research was carried out which compared the validity, the credibility, of Encyclopaedia Britannica (which costs to subscribe to) and Wikipedia (which is free). Interestingly, there was very little difference in the content both resources provided.<a name="_ftnref6" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn6"><span><span><span style="font-size: 12pt;">[6]</span></span></span></a> By giving them the challenge to test a problem, students are more ready to believe as they are in fact assessing its credibility and make an internal judgement about its trustworthiness.</div>
<div></div>
<div><strong> </strong></div>
<div><strong> </strong></div>
<div><strong>Emotions:</strong></div>
<div><strong><br />
</strong></div>
<div><strong> </strong></div>
<div>If we had time we could customise every example we gave to ensure students relate to our messages e.g. adding their names and names of their friends to maths examples. This would of course be next to impossible. Instead we need to try to give them more general examples without losing the opportunity for them to care. As a history teacher in Britain we have to, and rightly should, teach about the Holocaust. This is one example of how one school started the unit:</div>
<div>Question 1. How many people were killed in Germany between 1939-1945?</div>
<div style="margin-left: 36pt; text-indent: -18pt;">a)<span> </span>1 million</div>
<div style="margin-left: 36pt; text-indent: -18pt;">b)<span> </span>4 million</div>
<div style="margin-left: 36pt; text-indent: -18pt;">c)<span> </span>6 million</div>
<div style="margin-left: 36pt; text-indent: -18pt;">d)<span> </span>19 million</div>
<div>How far do you think students were able to relate to this tragic period in history? Not far. In fact, how could they relate to the deaths of more than six million Jews at all? Here is another example:</div>
<div></div>
<div>Fill a page with dots (full stops size 20, bold) and you will have approx. 600 dots and photocopy it 10 ten times. Give students a small piece of paper (no more than 2&#215;2 cm) and ask them to draw one small dot for every person they know. Explain that most people probably have between 15-30 people they know incl. classmates, neighbours, family and friends, and that as a class you have about 600 people you know. If you put together everyone from school you will probably have several 1000s. Now scatter the A4 sheets across the classroom, nonchalantly, and explain that these sheets contain 6000 dots (names of people) and that in order to get the full extent of the number of people murdered you need to multiply this by 1000. Penny tends to drop after that.</div>
<div></div>
<div><strong>Stories:</strong></div>
<div><strong><br />
</strong></div>
<div><strong> </strong></div>
<div>&#8220;We have come to know man as he really is. After all, man is that being who invented the gas chambers of Auschwitz; however, he is also that being who entered those gas chambers upright, with the Lord&#8217;s prayer or the <em>Shema Yisrael</em> on his lips.&#8221;<a name="_ftnref7" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn7"><span><span><span style="font-size: 12pt;">[7]</span></span></span></a></div>
<div><span><span><span style="font-size: 12pt;"><br />
</span></span></span></div>
<div>Do you remember what Frankl lost, which was mentioned at the start of this section? Maybe, possibly not. If we had told you the following story then you probably would have remembered:</div>
<div></div>
<div><strong>Victor Frankl and his wife were arrested together with hundreds of other Jews in 1942, Vienna, Austria. Unbeknown to many, Frankl had developed a new theory of psychological well-being. Both he and his wife had anticipated what would happen to them so they had sewn the manuscript of the book he was writing into the lining of his coat. Victor and his wife Tilly were later transported to Auschwitz and the manuscript was eventually found and destroyed. Frankl began re-writing his work from scratch on bits of paper and he had to endure the death of his entire family &#8211; his wife, brother, mother and father all died in the concentration camp. When the allies liberated his camp in 1946 he had completed what was to become one of the most influential books of all time according to the New York Times – A Man’s Search for Meaning.</strong><a name="_ftnref8" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftn8"><span><span><span style="font-size: 12pt;">[8]</span></span></span></a></div>
<div><span><span><span style="font-size: 12pt;"><br />
</span></span></span></div>
<div>We know that planning all lessons based on a series of principles may not be possible all the time. However, by considering these ideas, coupled with lashings of our own creativity, we can produce powerful, purposeful lessons which contain enriching tasks that will ensure skills and learning progression for all classes.</div>
<div><strong> </strong></div>
<div><strong> </strong></div>
<p><span style="font-size: 12pt;"><br />
</span></p>
<div>
<hr size="1" />
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<div><a name="_ftn1" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref1"><span><span><span style="font-size: 10pt;">[1]</span></span></span></a> C. Heath &amp; D. Heath (2008), Made to Stick, Arrow Books</div>
</div>
<div id="ftn2">
<div><a name="_ftn2" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref2"><span><span><span style="font-size: 10pt;">[2]</span></span></span></a> Ibid. p. 20</div>
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<div id="ftn3">
<div><a name="_ftn3" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref3"><span><span><span style="font-size: 10pt;">[3]</span></span></span></a> Please visit this website for great Thinking Skills activities: <a href="http://www.innovativeict.net/examples">http://www.innovativeict.net/examples</a></div>
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<div><a name="_ftn4" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref4"><span><span><span style="font-size: 10pt;">[4]</span></span></span></a> C. Heath &amp; D. Heath, Sticking to it, Association Now, February 2007</div>
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<div><a name="_ftn5" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref5"><span><span><span style="font-size: 10pt;">[5]</span></span></span></a> Haydn, T * Counsell, C History and ICT (Routledge)  p.</div>
</div>
<div id="ftn6">
<div><a name="_ftn6" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref6"><span><span><span style="font-size: 10pt;">[6]</span></span></span></a> See Chapter 2 p. xx – xx for a more detailed look at using online material and a further discussion on the comparison between Encyclopaedia Britannica and Wikipedia</div>
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<div><a name="_ftn7" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref7"><span><span><span style="font-size: 10pt;">[7]</span></span></span></a> V. Frankl (2000) A Man’s Search for Meaning, Beacon Press</div>
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<div id="ftn8">
<div><a name="_ftn8" href="http://www.staffroomproject.com/modules/fckeditor/fckeditor/editor/fckeditor.html?InstanceName=oFCK_1&amp;Toolbar=DrupalFull#_ftnref8"><span><span><span style="font-size: 12pt;">[8]</span></span></span></a> <span style="font-size: 10pt;">M. Scully, Viktor Frankl at Ninety: An Interview, <a href="http://www.firstthings.com/">www.FirstThings.com</a> (April 1995).</span></div>
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